华纳的《德国建筑艺术在中国》可以说是真正以历史文献和现场调查为基础的“在青岛的德国建筑”研究的开端。华纳的研究在1993年完成。10多年中，华纳在德国的指导教师和青岛本地年轻的研究人员，陆续修订了华纳当年的一些错误，使得在青岛的德国建筑的基本面貌有了一个比较完成的呈现。华纳之后的研究成果，多是在青岛本地的媒介和出版物上发表的。

A 108-meter high Eiffel Tower rises above Champs Elysées Square in Hangzhou. A Chengdu residential complex for 200,000 recreates Dorchester, England. An ersatz Queen’s Guard patrols Shanghai’s Thames Town, where pubs and statues of Winston Churchill abound. Gleaming replicas of the White House dot Chinese cities from Fuyang to Shenzhen. These examples are but a sampling of Chin...(展开全部)

Qing China (1644–1912) witnessed a resurgence in architectural painting, a traditional subject category known as jiehua, or boundary painting. Drawing Boundaries concerns itself with the symbolic implications of this impressive and little studied reflorescence. Beginning with a concise and well-illustrated history of the evolution of the tradition, this exciting new study revea...(展开全部)

Chiang Ching-kuo, son and political heir of Generalissimo Chiang Kai-shek, was born in 1910, when Chinese women, nearly all illiterate, hobbled about on bound feet and men wore pigtails as symbols of subservience to the Manchu Dynasty. In his youth Ching-kuo was a Communist and a Trotskyite, and he lived twelve years in Russia. He died in 1988 as the leader of Taiwan, a Chinese...(展开全部)

Chiang Ching-kuo, son and political heir of Generalissimo Chiang Kai-shek, was born in 1910, when Chinese women, nearly all illiterate, hobbled about on bound feet and men wore pigtails as symbols of subservience to the Manchu Dynasty. In his youth Ching-kuo was a Communist and a Trotskyite, and he lived twelve years in Russia. He died in 1988 as the leader of Taiwan, a Chinese...(展开全部)

The ideograph is conventionally understood as a script that is ancient and Chinese; it is neither. The 'ideograph' is a modern Western invention, one contemporaneous with, and related to, such modern inventions as photography, phonography, and cinematography. Ideographic Modernism analyzes the collective significance of an array of figures of Chinese writing in Euro-American li...(展开全部)